tah Ballet’s final performance of the year was a delightful presentation of talent and creativity. “Focal Pointe” featured four diverse pieces in a variety of dance styles. Co-artistic directors Conrad Ludlow and Rick Wacko made sure to include works that were visually impressive, thought-provoking and inspiring.

The first piece was “Faust,” choreographed by Ludlow. This colorful, classically based ballet told the story of Faust, an aged philosopher who craves youth. He sells his immortal soul to Mephistopheles, a servant of the devil, in an attempt to become young again. Boyd Stout, in the role of Mephistopheles, was strong and showed off his powerful jumps. Erica Bryce and Mark Harootian were lovely as the lead couple. Bryce is petite and has clean, flawless technique, while Harootian is a true performer with a magnetic stage presence. The happy, danceable music by Charles Gounod uplifted the corps dancers, who were lively and energetic as they portrayed images of youth.

“Ice,” also choreographed by Ludlow, explored the depths of neoclassical ballet in this premiere. The cast of eight women looked stunning in their shimmering unitards and danced with confident ease. Interesting, abstract shapes and movements constantly morphed into new patterns, enhanced by the music of Philip Glass. The piece’s overall mood had an effect that was almost chilling.

Distinguished retired faculty member Bene Arnold choreographed “Cycle,” which originally premiered in 1968 as her thesis presentation. This thought-provoking piece lets the spectator create his or her own story. Filled with emotion in his role as The Man, Michael Bravo’s longing expressions of anguish and horror gave his performance a haunting feel. Justin Marie Miller danced the role of His Love with delicate beauty and seemed to have a ghost-like appearance. Shayla Bott danced the part of the playful Young Girl while Megan Searfoss brought the seductive Woman to life. The piece’s rich detail came alive through the powerful music of Ernst Bloch. This piece stands the test of time, and is one that you could watch over and over and create a new story each time.

Senior Mark Harootian choreographed the final piece, “Bhatki.” Visually impressive, it is the first undergraduate student piece to be included in a Utah Ballet production. “Bhatki” represents the holy Hindu trinity of Shiva, Brahma and Vishnu. Shannon Hatch, a modern dance student, entranced as the Divine Being. Stacey Wilkinson, Megan Searfoss and Jessica Coleman-Scott excelled in their roles as Shiva, Brahma and Vishnu. Wilkinson danced with joy and light quickness. Searfoss displayed her clean technique and incredible jumps and Coleman-Scott danced with breathtaking fluidity and beauty. The choreography played off of the exciting music of DJ Cheb I Sabbah, matching each musical nuance perfectly. This entertaining piece showcased Harootian’s talent as not only a dancer but also a promising choreographer. Utah Ballet’s final performance was successful and definitely proved its “focal pointe.”
marissa@red-mag.com