| FEBRUARY 2003 TO THE PRESENT |
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WRITTEN BY: |
June 2005 |
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A CANNES-DO FESTIVAL
Jeremy's review of The Cannes Film Festival 2005 |
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Jeremy Mathews, |
February 2005 |
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THE CREAM OF THE CINEMATIC CROP, According to Old Film Business Types:
Finally, an Oscar Article That's Longer Than the Oscars |
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Jeremy Mathews,
Chris Bellamy &
Brent Sallay |
| LENGTH ISN'T EVERYTHING:
Why a Shorter Oscars Doesn't Make a Better Oscars |
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Jeremy Mathews |
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Sundance
2005 Film Festival Highlights |
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films reviewed for FilmThreat can be read
at
www.filmthreat.com |
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| February 2005 |
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| Hang the Sundance Jury:
Four Sundance Juries Award Mostly Worthy Films,
But Fail With Dramatic Grand Prize |
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Jeremy
Mathews |
January 2005 |
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| HERRING! The Best Film Fest in the West:
RED Magazine finds a rhyming dictionary |
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Craig Froehlich |
January 2005 |
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Sex,
Time Travel, Wine and Wizards: The Best Films
of 2004 |
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Jeremy
Mathews |
| A Second Take: More of the RED Staff's Best Movies of 2004 |
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Chris Bellamy &
Brent Sallay |
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| Day
One: Bad Education, festival
preview |
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Jeremy Mathews |
| Day
Two: "Nobody Knows," "The Consequences of Love" |
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Jeremy Mathews |
| Day
Three: "Troy," "Life is a Miracle!," "Mondovino" |
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Jeremy Mathews |
| Day
Four: "Shrek 2," "Moolaade," "Welcome to Switzerland,"
"Mean Creek," protests |
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Jeremy Mathews |
| Day
Five: "Old Boy," "Comme Une Image" |
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Jeremy Mathews |
| Day
Six: "Fahrenheit 9/11" |
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Jeremy Mathews |
| Day
Eight: "Clean," "Innocence" (aka "The Ghost in the
Machine2"), "The Motorcycle Diaries," Wong Kar
Wai's tardiness over "2046" |
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Jeremy Mathews |
| Day
Nine: "The Life and Death of Peter Sellers," Sundance
alums |
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Jeremy Mathews |
| Day
Ten: Awards |
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Jeremy Mathews |
| Festival
review: 2046 |
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Jeremy Mathews |
169 March 25, 2004 |
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Jeremy Mathews |
167
March 4, 2004 |
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Jeremy Mathews |
163
February 5, 2004 |
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Jeremy Mathews |
160 January 15, 2004 |
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| 2003
in Review: The Audio and/or Visuals You Shouldn't
Have Missed |
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| 2003
Runs Over With Great Films |
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Jeremy Mathews |
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Sundance
2004 Film Festival Highlights |
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162 January 29, 2004 |
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Jeremy Mathews |
161 January 22, 2004 |
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Jeremy Mathews |
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Hayley Heaton |
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Craig Froehlich |
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| Sundance Still an Important Showcase for Small Films |
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Jeremy Mathews |
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| Sundance's American Spectrum, World Cinema and Other Specialty Categories Serve Specialized Niches |
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Jeremy Mathews |
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| SLAMDANCE: Slamming the Critics: 10 Years of Alternative Filmmaking at Slamdance |
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Jamie Gadette |
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| Choreography for Dead People: U Grad Timothy Albrecht Choreographs Sundance Short |
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Marissa Mullen |
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| Sundance Fest Announces Unknown-Oriented Batch of Feature Films |
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Jeremy Mathews |
158 November 20, 2003 |
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| Thornton's
Ambitious, Varied Film Career Takes Another
Turn |
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Jeremy Mathews |
157 November 13, 2003 |
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| Jumping
off the Studio Train: Michelle Williams Travels
from 'Dawson's Creek' to 'The Station Agent' |
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Jeremy Mathews |
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| Touring
Free Form Film Festival Hits Salt Lake City
Homebase |
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Jeremy Mathews |
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| "Made-for-TV" Sums
Up CBS' 'The Elizabeth Smart Story' |
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Rachael Sawyer |
148 September 4, 2003 |
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| Art-House
Explosion: Is Salt Lake City Big Enough for
the Both of Them? |
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Jeremy Mathews |
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Cannes 2003 Film Festival |
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| 142 May 29, 2003 |
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| The
Cannes Can! A Full Report on the World's Most
Glamorous Film Festival |
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Jeremy Mathews |
