fter months
of investigative reports and false leads from
notoriously hallucination-prone readers, RED Magazine
finally located its legendary mascot, Cool-Lookin’ Ken, in Paris, France, on Dec.
24, 2003, A.D. “Mr. –Lookin’ Ken,
I presume?” a triumphant Jamie Gadette said
after pulling Ken out of the Seine.
“Can’t a man drown hisself w’out
some nosy repor-ser sw-saving me?” Ken sputtered.
“But I’m not just a top-notch investigative
journalist,” said Gadette, “I’m your
guardian angel.”
“Is that why you’re wearing those fruity
wings? Anyway, can’t a man drown hisself w’out
some nosy angel saving me?” he asked. Ken had
had a rough year. After a failed bid for the presidency
of the Associated Students of the University of Utah
and the ill reception of his film, “The Brown
Spittoon,” at the Cannes Film Festival” (See
issue 142, May 29, 2003), America’s hero went
on a seven-month drinking binge through France.
The day he was located, he wondered what his
life was for as he looked at an automat (a street
performer who gets paid to move) in the courtyard
of the Pompidou Center.
“Move, you damn tin man mime,” witnesses
report Ken said. When Ken grabbed the man’s arm
and started making waving motions to tourists who hadn’t
put a quarter in the man’s case, the performer
stabbed him in the temple with an oil spout twice Ken’s
size. “Ouch, that does it,” he said as
he ran into a nearby café and made this declaration: “Gimme
some freedom fries so I can free myself of this rotten
world!”
Ken then ate the fries and ran to jump in the
river of romance, where Gadette fished him out. “It’d
sure be easier to kill myself if I’d never
been born,” said Ken.
Gadette conceded that Ken had triumphed in
his effort to make no sense, then at that moment
got the idea to rip off “It’s a Wonderful Life.” “So
be it,” she said, “so be it.” Then,
in a controversial conflict of journalistic and angelistic
duties that resulted in Gadette not being allowed
to write this story herself, something astounding
happened.
“What’s with the light show?” Ken
asked as he searched for his flask. “Hey, where’d
the oil spout in my temple go?”
“That oil spout never went in your temple, because
your temple never existed.”
“Whatever. Maybe I can find another spout. I’ll
call [Sarah] Morton and [Dave] Tada over to take a
picture of me for the RED story. That spout looked
badass.”
Ken called 001-801-581-8780, but instead
of the RED office, he heard, “The Event, going strong
and exciting.”
“Where are the photographers?”
“There is no RED because you aren’t around
to be its mascot. Sarah and Dave aren’t photographers,
they’re hair-style specialists,” said Gadette.
“Huh,” said Ken. “Maybe I’ll
give [RED art director Dave] Howell a call and ask
him to send another photographer.”
“Hello, Darryl Howell speaking,” the voice
on the other end of the phone said. “Dave? Why,
Dave’s been dead for two years, since he left
for that damned Devil-fest in Seattle.”
“Bumbershoot? But I landed that plane!”
“No you didn’t,” Jamie said. “You
know, the whole never-existing thing. Everybody on
that plane died because you weren’t there to
land it. And everyone in the Great RED/Chronicle Fire
of 2002 died because Dave wasn’t there to save
them.”
“But Tinky Winky—my one true love—was
on that plane!”
Ken caught the Concorde—still in existence
through a complicated chain of him not existing—and
flew directly to Salt Lake International Airport.
He hopped a cab to Sandy, which was now called Southern
Hansenville. He banged at the door where Winky had
reportedly been hiding out.
“Tinky Winky! I need you!”
A greasy, under-clad woman with blood-shot eyes opened
the door.
“What’d’ya want, honey?”
“Where’s Tinky Winky?”
“The lisping purple thing who married Barbie?”
“So she really is a fag hag. Wait, Tinky married?
NOOOOOOOOOOO!!!!!!!!!!!!!!!!!!!!!!!!!!” Ken said
calmly.
Then he noticed the bruised woman’s familiar
face. “Aren’t you RED Magazine poetess
Hayley Heaton?”
“That’s my name, but I don’t know
them funny words. Hey, I’ll
give you a
quickie for
a quarter.”
“NOOOOOOOOOOOO!!!!!!!!!!!!!!!!!”
Ken tried to head to Salt Lake City to go get drunk
at the
Urban Lounge and see Redd Tape, but Gadette again had bad news. “Redd Tape never played
RED’s 100th issue party and no longer exists.
Same with the Urban Lounge. And everyone on that
plane died.” Again with the big, all-caps “no.”
The camera
taping all
this swung
around wildly
to create a
disorienting
feel. Then
Ken was back
in Paris. He pulled the
oil spout out of his
temple, smiled, hugged
Gadette and ran to a
phone. “Is
this RED Magazine? All right! It’s Cool-Lookin’ Ken.
You guys have got to get down to Paris and help me
beat the shit out of this sonofabitch tin man mime!”
Ken was
back, and
better
than ever.
And he
understood
the true
meaning
of Christmas,
too.
jeremy@red-mag.com