| |
| "National
Treasure" falls somewhere between an ad
for bottled water and a movie. |
“National
Treasure”
Walt Disney Pictures
Directed by Jon Turteltaub
Written by Jim Kouf, Cormac Wibberley and Marianne
Wibberley
Produced by Jerry Bruckheimer and Jon Turteltaub
Starring Nicolas Cage, Diane Kruger, Justin Bartha,
Sean Bean, Jon Voight, Harvey Keitel and Christopher
Plummer
Rated PG
(out
of four)
Incomprehensible
clue, historical explanation, unlikely solution,
chase/action/danger scene, unlikely escape, repeat until 135 minutes have lapsed. This is the
recipe for “National Treasure,” which
overstays any welcome its occasional charm might
earn by a solid hour. Even after you overcome the
preposterous premise and its silly execution, the
film has no propulsion. As much as I’d like
to be engrossed in a hunt for a Masonic treasure revealed by
the hidden messages on the back of the Declaration
of Independence, the action is mediocre and
the characters tired.
The film begins as an old man, John Adams Gates (Christopher
Plummer), tells his grandson about the largest treasure
ever amassed—by many greedy rulers of grand
civilizations—which eventually fell into the
hands of the Knights of the Free Masons, who believed
it was too valuable for one person and hid it so no
one could use it. Some of the U.S. founding fathers
were Free Masons, and Charles Carroll, the last surviving
signer of the Declaration of Independence, gave
John’s grandfather’s grandfather the
only surviving clue to the treasure's location. The secret is
with Charlotte, it says, but nobody knows what that
means.
Now, the boy has grown into Nicolas Cage as Ben
Franklin Gates, whose family has long been ridiculed
in the historic community for its crazy treasure
theories. But he’s out in the Arctic with a
sinister rich dude named Ian (Sean Bean) who is obviously
planning to pocket the treasure and will become the
villain within 10 minutes—he already has his
henchmen. But he won’t show his evil until
they dig up an old ship, nameplate first, called
The Charlotte. Also with the group, but on Ben’s
side of good, is a techno geek named Riley (Justin
Bartha), who has the same noble intentions as Ben
but provides more comic relief.
After Ben quickly concludes that an old ivory pipe
secretly says that the back of the Declaration of Independence
leads to the treasure, Ian leaves him and Riley for
dead to go steal it. Ben, of course, has to steal
it before Ian to save it.
First, however, they meet the female member of their
team when they try to warn a preservationist at the
National Archives of the robbery. Abigail (Diane
Kruger) is introduced in the film’s best scene,
in which Ben describes the plot of the film to her
and she looks at him like he’s crazy. She’s
unavoidably swept up into the action as the theft
concludes, and joins the fun for the rest of the
movie.
Other cast members include Harvey Keitel as a police
inspector who wishes he were Tommy Lee Jones’s
character from “The Fugitive,” and Jon
Voight as Ben’s father Patrick, who has lost
his belief in the treasure and has to relearn the
excitement of deciphering nonsensical clues.
Ben’s family has supposedly been ridiculed
for its search for the treasure for many generations,
and his father has lost the spirit because he grew
tired of clue after clue for 20 years and believes
that the treasure doesn’t exist. But the film
actually indicates that he didn’t decode a
single damn clue for those 20 years. The Charlotte
nonsense was the only clue they had, and Ben was the
first one to discover that it was a ship. So really,
his dad should immediately be on board since there
really is a Charlotte.
Equally confused is the relationship between Ben
and Abigail. Romance is occasionally implied, but
there is little effort to make a relationship desirable.
Is a little sexual tension too much to ask of an
on-screen couple?
I appreciated that the main characters are all geeks
who don’t use guns and don’t go for fights
since they would quickly lose. Instead, they rely
on their selective and improbable wits to keep them
safe. They do, however, still have the ability to
do high-level Hollywood stunts, hanging and jumping
off various objects. Of course, if the action scenes
were on par with the Indiana Jones movies, all the
flaws could be forgiven. But this film is all James
Wilson and no Ben Franklin.
jeremy@red-mag.com