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eil LaBute is an interesting guy. A BYU-educated, LDS playwright
and filmmaker, the vast majority of his work falls into the strangely-horrifying-but-you-can't-look-away
category. In his film, “In the Company of Men,” two
traveling businessmen seek revenge on the opposite sex by seducing
the most vulnerable woman they can find—of course, a deaf
girl. In “Your Friends and Neighbors,” sexually frustrated
and uncommunicative urbanites make each other’s lives miserable.
But in “Bash: Latter-day Plays,” LaBute turns his focus
closer to home.
“Bash,” which will be playing at the Plan-B Theatre
Company Sept. 12-28, is a series of three short plays. Two have
only one character on stage, and all three are basically monologues,
in which characters relate their experiences to the audience.
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married couple talks about an eventful party in LDS playwright
Neil LaBute's "Bash." |
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Each
short is based upon Greek tragedy. In “Medea Redux,”
a girl relates her troubled teenage pregnancy. In “Iphegenia
in Orem,” an Agamemnon-like business makes a disturbing hotel-room
confession to a stranger. And in "A Gaggle of Saints,"
a straitlaced religious couple (complete with “Ajax-like rage”)
relate their experiences at a party in New York City and what happened
as the man and some friends took a walk in Central Park. All stories
are told with a disturbing sense of detachment, with none of the
feelings of regret or catharsis that normally accompany such tales.
“This is riskiest thing we've done in several years,”
said Jerry Rapier, the artistic director of the company. Risky,
because of those words in the title—Latter-day—that
refer to exactly what you think they do. Three of the four characters
are LDS and the play uses that as a context to help present its
portrait of the complexities of evil in everyday lives.
But the play is just that—an exploration of evil in everyday
life—not an excuse to further (pardon the pun) bash the dominant
local religion. Indeed, the press release bills the plays as about
“three violent and highly disturbed individuals who happen
to be Latter-day Saints” and LaBute has described it as “a
play about some essentially good people who do some very bad things.”
In short, the four different characters who describe their crimes
with such disturbing detachment could be anybody. “The characters
just happen to be LDS because that's what LaBute’s background
is.” In some cities, the playwright allows the play to be
performed without any specific religious references. But at home
in Utah (“Bash” was actually originally performed elsewhere,
though LaBute wrote the first draft while still at BYU and performed
a first reading at the Sunstone symposium), any religious ties stay
where they are.
The play resonates differently in other cities, Rapier said. In
Salt Lake City, overt mentions of LDS help open much-needed dialogue
about normally taboo subjects. “[H]ere it’s much more
powerful…there's subtle humor only people here would understand.”
Plan-B chose to perform a work like “Bash” in order
to challenge people. “People [in this community] are afraid
to question things. A range of topics can only go so far, there's
a sense, or a fear of retribution…it's not just necessarily
due completely to the dominant religion…it's just how the
majority affects anything anywhere,” said Rapier, who has
lived in Utah for 10 years. “This really spoke to us for our
mission to produce unique, socially conscious theatre, to shake
things up a bit.”
But whatever the approach, it's still delicate material, difficult
to perform without straying too far to one side or another. The
cast and crew had to work hard to stay true to the playwright's
vision, the aforementioned dialogue. "We had to let it be honest
so that the audience has all of the options as to what to do with
this," Rapier said.
"We're not really interested in people agreeing with what anything
we've produced has to say, as much as sticking with it to see how
it relates to their lives.”
“Bash” runs from Sept. 12-28 at Plan-B Theatre Company,
Thursday through Saturday at 8 p.m., Sunday at 2 p.m and 7 p.m.
Tickets are $15 general admission and $10 for students and are available
through ArtTix (355-ARTS, www.ArtTix.com).
bobbi@red-mag.com
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